Not a remake of the 1987 Dudley Moore body-swap-com, this is another intimate, slow-burning exploration of Japanese family life from writer-director Hirokazu Koreeda ( I Wish ).
Previously Kore-Eda has made movies about rived families that have centered on children, such as “Nobody Knows,” in which a mother abandons her kids, and “I Wish,” about parental divorce.
Kore-eda portrayed family themes in his earlier “I Wish” (2011), where two young brothers separated by divorce seek to unite, and “Nobody Knows” (2004), a drama based on a news story about four kids living with no parents around.
His most memorable dramas always seem to be built around families: Maborosi (a wife deals with her husband's suicide); After Life (departed souls remember their loved ones); I Wish (a pair of brothers are separated but try to reconnect); Still Walking (a poignant visit to grandparents in the countryside); and the heartbreaking Nobody Knows, in which four young Tokyo kids are abandoned by their mother.
Kore-eda’s films, including “I Wish,” “Air Doll,” “Nobody Knows,” and “After Life,” are characterized by gentleness and sentimentality around family issues and often feature children.