Although shades of 500 Days of Summer (2009), or, more particularly, Take This Waltz (2011) might feel immediately evident, The Worst Person in the World feels more comprehensive, more formidable in its complexities than many contemporaries—it’s a hard won feat to seamlessly capture the difficulty of getting what you thought you wanted only to realize it’s not what you want or need.
Similar to Sarah Polley’s Take This Waltz , the narrative sees our heroine possess a lack of clarity with a subtle degree of selfishness but Julie’s struggle is a relatable one: does she want children, should she want them or is she expected to have them?