The result is a vibe that’s part-Blade Runner (with more technological glitz), part-The Fifth Element (minus Gaultier’s flair) and effortlessly immersive.
Set in a dystopic 2084 that lifts an awful lot from Ridley Scott's Blade Runner and a pinch from The Fifth Element, Quaid's psychotropic journey from obliviousness to self-actualizing, anti-government insurgent feels right, but Kurt Wimmer and Mark Bomback's script rarely gives the viewer time to ponder this poor guy's exceedingly existential crisis.
With " Total Recall ," it's like it's trying so hard to be " Star Trek ," then switches gears and jumps to " I, Robot ," then " Minority Report ," then " Blade Runner ," then " The Fifth Element ," and the list just keeps piling up.
You’ll also find similarities to the campy sci-fi flicks “Judge Dredd” and “The Fifth Element.”
If The Fifth Element comes to mind while watching Wiseman's efficient, action-packed retake, well, yup, those floating cars and multitiered, M.C.
Quaid lives in a metropolis that looks like Wiseman took two cityscapes from “The Fifth Element,” stacked one on top of the other around the labyrinth from “Cube,” and then bow-tied the whole thing together with the multi-tiered freeways from “Minority Report.”