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What critics compared The Turin Horse to
Eggers is working again with The Witch cinematographer Jarin Blaschke, here shooting with 1930s vintage Baltar lenses, and the way in which they represent backbreaking work through textured images of such sensual loveliness at times recalls Béla Tarr’s The Turin Horse (2011).
It’s also a psychological thriller in the vein of Persona, an existential drama with shades of The Turin Horse, and is decidedly more funny—fart gags in tow—than Eggers’ debut, The Witch.