In this entrancing road movie from British filmmaker Andrea Arnold (Fish Tank), an abused teen (Sasha Lane) joins a cadre of other wayward young adults who sell magazines door-to-door across the midwest.
A smart, uncompromising director, several of her films - "Red Road," "Fish Tank" - focused on Great Britain's underclass, and disaffected youth.
Those who know the films Arnold made in her native Britain, including “Red Road” and “Fish Tank,” may be reminded of the lush streak of animal symbolism that has coursed through her work since her Academy Award-winning 2003 short, “Wasp.”
Arnold comes to America after three films that explored a more native and personal form of picaresque, the byways of English passion; though even those movies — Red Road, Fish Tank, Wuthering Heights — had a flair and impetus beyond the norms of Cinema Blighty.
As a huge fan of Arnold’s 2009 feature Fish Tank —which, like American Honey , starred a nonprofessional teen actress whom Arnold discovered in the course of everyday life—I wish I had been more captivated by her first American venture.
Recuerden los mejores momentos de Fish Tank (2009), donde la directora lograba que sintiéramos a su aspirante a bailarina como un amigo cercano.