This is the second film directed by Barry Jenkins, whose one previous movie (called Medicine for Melancholy) I haven’t seen.
A natural extension of his garrulous San Francisco-set debut, “Medicine for Melancholy,” the director’s beautifully nuanced, subtext-rich second feature is no less intellectually engaged, but proves far more trusting in audiences’ ability to read between the lines.
Writer/director Barry Jenkins ("Medicine for Melancholy") sensitively examines the maturation of one black youth struggling with his identity and those who shaped him.
Moonlight is directed by Barry Jenkins, whose only previous film was 2008's Medicine For Melancholy.
As demonstrated in Jenkins’ first feature, 2008’s winning, morning-after-a-one-night-stand comedy Medicine For Melancholy, he’s got a knack for letting his characters talk their way around one other’s defense mechanisms and insecurities.
This story of growing up poor, black and gay in Miami was adapted by director Barry Jenkins (“Medicine for Melancholy”) from a play by Tarell McCraney; both grew up in Miami’s Liberty City projects, where much of this film was shot.