Except “Perfect Things” doesn’t have the benefit of Andy Samberg and Cristin Milioti’s infectious charm (or comedic timing), but it has Kathryn Newton and Kyle Allen doing the best with Lev Grossman formulaic screenplay that recycles countless time travel loopholes and throws “Edge of Tomorrow” references around because it’s woke enough to understand the joke.
As I possess absolutely no knowledge of the short story, I saw The Map of Tiny Perfect Things presented as a fairly wholesome and optimistic YA romance which utilizes the same temporal anomaly trope used in films Groundhog Day (1993), Edge of Tomorrow (2014), and Palm Springs (2020).
Time-loop movies continue to be all the rage, and while Groundhog Day (1993) remains the champ with Edge of Tomorrow (2014) holding onto second the rest of the field is wide open.
The story transpires in an unnamed American town, where high-schooler Mark (Kyle Allen), an easygoing aspiring artist, is trapped, like “in that movie with Bill Murray” (Grossman’s screenplay acknowledges the “Groundhog Day” factor; “Edge of Tomorrow” is mentioned as well), in a loop in which he keeps living through the same day, again and again.
From “Groundhog Day” to “Happy Death Day,” “Edge of Tomorrow” to “Palm Springs,” our loop of time-loop movies keeps repeating, with each commenting on the nature of time and existence.
Sure, “Groundhog Day,” “Edge of Tomorrow,” “Happy Death Day,” “Palm Springs” and other films that express similar existential quandaries are available to this savvy audience.