A group of sorority pledges are stalked by a stranger during their Christmas break. That is until the young women discover that the killer is part of an underground campus conspiracy.
Occasionally, this leads to baffling misfires like the second Black Christmas remake (2019), which used the reflected glow of Bob Clark’s pioneering and sneakily feminist 1974 slasher to shore up the new film’s forgettable and morally confused girl-power aspirations.