Sophia Takal

Sophia Takal

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Persona poster
Without revealing too much, the film starts to fold in on itself in a Persona-like manner, complete with shifting identities, repeated scenes, and even abstracted glimpses of the film’s own clapboards.
dsuzannemayer, Clint Worthington • Consequence of Sound • Dec 6, 2016
consequenceofsound.net ↗
It's Queen of Earth meets Mulholland Drive , Passion with a dash of Persona , The Neon Demon in the atmospheric key of Martha, Marcy, May Marlene .
Carson Lund • Slant Magazine • Nov 19, 2016
slantmagazine.com ↗
Discussions of long-held resentment and seemingly minor betrayals, filtered through the lens of genuine anxieties that the entertainment business brings, fester like a sore, eventually exploding in the film’s more Persona-inspired, reality-shattering, and ultimately filmsy final act.
Jordan Raup • The Film Stage • Apr 19, 2016
thefilmstage.com ↗
This feminist psychological horror flick reminded some critics of Ingmar Bergman’s Persona and me of Sam Shepard’s play True West, with its two characters’ personalities start to bleed into each other’s.
www.fwweekly.com, kristian-lin, Kristian Lin • Fort Worth Weekly • Jan 17, 2017
fwweekly.com ↗
That’s also when Always Shine‘s thematic connection to Ingmar Bergman’s two-women-in-an-isolated-house Persona becomes all the more apparent, down to intentional glimpses of the film crew.
Sherilyn Connelly, Jeffrey M Anderson, Anita Katz, Richard von Busack, Joshua Rotter • SF Weekly • Nov 23, 2016
sfweekly.com ↗
On the surface, “Always Shine” is a tense thriller about failed female alliances — much of the time it seems poised to become a remake of “Persona,” as made by the horror director Alexandre Aja .
GLENN KENNY, Lawrence Michael Levine • The New York Times • Nov 24, 2016
archive.org ↗

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