Animated with a blend of gorgeous, realistic detail and emotionally grounded fantasy that make comparisons with Miyazaki not absurd, Shinkai’s films to date, including his 2007 break-through “5 Centimeters per Second” (“Byosoku 5 Senchimetoru”), display a sensibility more romantic than Miyazaki’s, with stories about young lovers instead of the maestro’s plucky young heroines on various sorts of quests.
Revisiting themes of longing and separation that became his signature in films such as 5 Centimeters Per Second (2007) and The Garden of Words (2013), Shinkai’s fifth feature has confirmed the writer-director as a major talent, duly dubbed “the new Miyazaki”.
Whether drawing lovestruck teenagers who move to opposite sides of Japan (“5 Centimeters Per Second”) or a girl who embarks on a journey into the land of the dead (“Children Who Chase Lost Voices”), each of the half-dozen films that Shinkai has made in the 14 years since has focused on young people who are consumed by the ache of separation.