Kevin Costner in Hidden Figures, Brad Pitt in 12 Years A Slave, all the way back to Gregory Peck in To Kill A Mockingbird this trick is so tired I don’t have the energy to break down why it needs to end.
This year in particular, the American dream of the 1950s – so modern and gleaming from the outside – is being recast as built on foundations of racism, abuse and greed, whether that’s the rotten core of fast food in The Founder, the ignored black mathematicians of the space race in Hidden Figures , or the suburban family dream of writers Joel and Ethan Coen’s darkly comic S uburbicon , brought to the screen by director/co-writer George Clooney and his partner Grant Heslov.