As in “Australia,” Luhrmann coaxes not only a pulse from Kidman, but a sense of humor.
It trades in the same kind of heightened romanticism as Luhrmann’s Moulin Rouge!, with all that implies.
Although highly unconvincing emotionally, Luhrmann's Romeo + Juliet and Moulin Rouge! (give this to Australia, that it at least doesn't have a punctuation mark in its title) buy themselves a lot of grace through the obvious hotness between their leads.
The multi-hyphenate director doesn't release a film often (his last was 2001's fab musical potpourri " Moulin Rouge! "), so when he does it's usually something to look out for.
I know that director Luhrmann can be a much more self-conscious director see his insanely pretentious Moulin Rouge! than he is here.
Luhrmann’s strong suit has always been boldness rather than subtlety; his take-no-prisoners approach worked brilliantly in Strictly Ballroom , but as I see it he went off the rails with Moulin Rouge! and hasn’t managed to right himself since.