Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by Gore Verbinski
Captain Jack Sparrow’s got a blood debt to pay: he owes his soul to the legendary Davy Jones, ghastly Ruler of the Ocean Depths. To escape eternal servitude aboard the Flying Dutchman, ever-crafty Jack must track down the still-beating heart of Jones. But he won’t do it alone: Will Turner and Elizabeth Swann are drawn back into another one of his perilous quests—assuming they can evade execution for aiding a pirate.
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What critics say influenced Pirates of the Caribbean: Dead Man's Chest
It even has the same guy from 2003 still giving a bad imitation of Robert Newton as Long John Silver in “Treasure Island” (1950).
In Hitchcock's "North by Northwest," we never learn a thing about just what it is everyone is desperately trying to find, and the movie is the stronger for this omission.
The first great set piece is staged on an island where the heroes are captured by unfriendly natives and face a grim fate — a familiar premise recalling everything from King Kong and King Solomon’s Mines to Return of the Jedi and Indiana Jones and the Temple of Doom.
Dead Man’s Chest follows the middle-movie template established by The Empire Strikes Back, with a darker, more sprawling story, bigger threats, and a cliffhanger finale.
“Dead Man’s Chest” is kind of “The Empire Strikes Back” of the series: It builds to a frenetic but unresolved finale that sets up part three, which was shot simultaneously by Verbinski and will be released in May.
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To the extent that this and other scenes remind me of anything, they recall some of the animated derring-do of The Emperor’s New Groove, Sinbad: Legend of the Seven Seas, and The Incredibles.
To the extent that this and other scenes remind me of anything, they recall some of the animated derring-do of The Emperor’s New Groove, Sinbad: Legend of the Seven Seas, and The Incredibles.
(He has a particularly amusing escapade, modeled on "The Man Who Would Be King," as the reluctant god of an island of cannibals.)
It was either going to be Highlander 2: The Quickening, or it was going to be The Empire Strikes Back.
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At the same time, like Raiders of the Lost Ark, Dead Man’s Chest takes the kinds of things that others have done before, and then does them so inventively that it becomes the new standard.
The other thing is the intense hatred many critics have toward any movie produced by Jerry Bruckheimer (like “Pearl Harbor,” for instance).