On the Side: Refn’s 2003 film Fear X, which many have already compared Only God Forgives to, ended up bankrupting his production company.
From his hard-hitting debut Pusher, via the creepy Fear X, the violent machismo of Bronson and the mythical savagery of Valhalla Rising, Winding Refn has been exploring various facets of the male identity.
Each of his movies has been a spiral into a black hole of despair, self-loathing, and/or nightmares, including the oft-imitated and eventually remade Pusher series (check out Luis Prieto’s Pusher), and the little-seen but very well-received Fear X, a descent into horror starring John Turturro that has become a cult favorite among the Fangoria set.
He has tested audience limits in such earlier films as Pusher, Fear X, Valhalla Rising, Bronson and, more recently and broadly, with Drive (witness the skull-crushing brutality of that film’s notorious elevator scene).
Refn’s best films and worst films (“Fear X,” “Valhalla Rising”) share one key feature, which he identifies as “fetish.”