Ripley's Game (2002)
Directed by Liliana Cavani
Tom Ripley - cool, urbane, wealthy, and murderous - lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin's underworld pays a call asking Ripley's help in killing a rival. Ripley - ever a student of human nature - initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who's dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
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What critics compared Ripley's Game to
Chris' personal and professional path, along with his prognostications on luck, echoes Patricia Highsmith's fictional Ripley character, Thomas Ripley (e.g., The Talented Mr. Ripley, Ripley's Game), an amoral, sociopathic bi-sexual, social climber, thief, and murderer, and the central character in Strangers on a Train, Guy Haines, a tennis pro who wants to marry for love and social mobility.