The man who had made such iconic Australian films as Backroads (1977), Newsfront and Heatwave (1982), would eventually work with 'stars' like Harrison Ford, Denzel Washington, Sharon Stone and Val Kilmer to make a range of action-thriller genre flicks (Patriot Games [1992], Sliver [1993], The Saint [1997], The Bone Collector [1999] to name a few).
Noyce, whose work to date has more often focused on action/adventure (The Saint, Clear and Present Danger) has made a film of enormous emotional impact and subtlety, something I would not have expected.
But Noyce, who’s become so accustomed to operating on the dumb-and-dumber Hollywood mindset of The Saint and Clear and Present Danger, directs Rabbit-Proof Fence with the precision of an amateur heart surgeon working with a butter knife.
Otherwise, it was a gilded slide into the abyss with "Sliver," "The Saint" and his last major-studio outing, "The Bone Collector," in which Denzel Washington played a homicide detective who was also a quadriplegic principally, or so it appeared, so he couldn't get his hands on co-star Angelina Jolie.
Noyce's la-la land output has varied from the accomplished (1997's "The Saint," 1992's "Patriot Games") to the truly awful (1999's "The Bone Collector"), but nothing he's done has captured the attention of the film world like his breakthrough 1989 thriller, "Dead Calm."