Haneke’s films always indict violence in the media, but Funny Games, as opposed to, say, Cache or Code Unknown, is more demonstrably self-aware in its message.
Haneke (whose masterworks include "Code Unknown" and "Cache") explains that his distinctively European film is "a reaction to ... the way American cinema toys with human beings ... [so that] violence is made consumable."
It's possible that Haneke may wish to say something about aggression and passivity, in which case, there's one scene in his Code Unknown (2001) that accomplishes this better than all of Funny Games.
When Haneke shatters the fourth wall here, as he famously did in his wonderful Funny Games, it is only to make us more aware of the inability of a film to truly answer the questions that he is posing.
Director Michael Haneke (Funny Games) keeps this shot going for some 10 minutes, always facing one direction and tracking up and down the street.
Austrian director Michael Haneke made a considerable impact back in 1997 with Funny Games, a truly terrifying film which managed to make its audience uncomfortably complicit in the activities of its two torturer/ killers.