No less a cinema provocateur than he was when he debuted in the Nineties as one of the writers of Larry Clark’s infamous Kids and as the director of purposefully alienating Gummo and Julien Donkey-Boy, Harmony Korine has finally found popular success with his new film Spring Breakers – if the numbers from the film’s boffo opening weekend hold steady as it now goes into wider release.
His 1999 film Julien Donkey-Boy was done Dogme-style , and Trash Humpers was constructed to look like a found-footage film shot by the titular characters on crappy VHS.
Actually, the film was made by Harmony Korine, the wunderkind who wrote "Kids" at 22, and then quickly turned into the blunderkind of such unbearable experiments as "Gummo" and "Julien Donkey-Boy."
The end result is a pervasively weird yet oddly compelling effort from a filmmaker that clearly has no interest in going mainstream, although, if past efforts like Julien Donkey-Boy and Trash Humpers are any indication, this is probably as close as Korine will ever get to a movie made for the masses.
Indie veteran Harmony Korine learns a valuable lesson: why hang around with disconsolate small-town weirdos (Gummo, Julien Donkey-Boy) when you can film young women shaking their bare breasts?
The youthful prodigy who wrote Kids went on to make the messy, fitfully intriguing Gummo and Julien Donkey-Boy.