Rodriguez isn’t the first director of tough content to have a successful go at more wholesome fare: A couple of years ago surrealist David Lynch (Blue Velvet) made the gently uplifting The Straight Story (rated G), and cinematic con man David Mamet (House of Games) made the sweet The Winslow Boy (also rated G).
For at least one film, Scorsese has left behind much of his baggage and accomplished what David Lynch did with The Straight Story and David Mamet did with The Winslow Boy - use his considerable behind-the-screen prowess and apply it to a different kind of story.