Man on the Moon poster

Man on the Moon (1999)

Directed by Miloš Forman

The story of the life and career of eccentric avant-garde comedian, Andy Kaufman.

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What critics compared Man on the Moon to

Venom poster
He delivers a genuinely unforgettable performance, playing Eddie and Venom like a grotesque version of Jim Carrey in The Mask (or on the set of Man on the Moon ).
The Ringer • Oct 5, 2018
theringer.com ↗
The Shape of Water poster
Jim & Andy: The Great Beyond (USA, 2017): A glorified behind-the-scenes doc from the time Jim Carrey interpreted Andy Kaufman in Man on the Moon , this doc has great footage but loses its way trying to pretend is deeper that it actually is.
Jorge Ignacio Castillo • The Canadian Crew • Sep 15, 2017
thecanadiancrew.com ↗
Captain Marvel poster
In contrast, Captain Marvel struggles to earn enriched investment be it domesticated needle drops (No Doubt’s “I’m Just A Girl”/R.E.M.’s “Man On the Moon”) or Ronan The Accuser’s (Lee Pace) unnecessary appearance as the Kree’s eradication-happy judge.
Matt Donato • We Got This Covered • Mar 5, 2019
wegotthiscovered.com ↗
Fleck has said music was the first thing they concentrated on during pre-production by creating a playlist that wound up including songs like No Doubt’s “I’m Just A Girl,” Nirvana’s “Come As You Are,” and R.E.M.’s “Man on the Moon.”
Shana O'Neil • The Verge • Mar 5, 2019
theverge.com ↗
Vers then stalks around like a middle-linebacker in her Kree suit as the soundtrack is suddenly taken over by R.E.M., Garbage, and Nirvana--needle-drops executed with the grace and insight of people who don't understand that "Man on the Moon" should not be used as a literal backdrop for a conversation about where to resettle a persecuted alien race.
Film Freak Central
filmfreakcentral.net ↗
The Three Stooges poster
There are no bio-pic elements, as in the “Stooges” TV movie from 2000 or the Andy Kaufman vivisection “Man on the Moon.”
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Sideways poster
Paul Giamatti, the pudgy, balding, slightly despondent character actor of Man on the Moon and American Splendor, gives a performance of such pent-up desperation and heartbreaking moroseness in Sideways that he single-handedly cements Alexander Payne's film as one of the year's finest.

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