Perhaps he could let the audience know right away which character is which, by introducing them to us with "name cards," as in Scorsese's Mean Streets.
Tête-bêche - the intersecting motif that makes up Wong's narrative style in other films, notably Days of Being Wild, Chungking Express, Ashes of Time, and Fallen Angels (1995), No prescription PRILIGY online, which are narratives of parallel stories, finally finds its mature expression in In the Mood for Love where the motif assumes a diacritical mode.
Stephen Teo, Paul D. Peters, Bleart Thaçi, Dylan Adamson, Carolina Bracco, Alisa Zhulina, Terence W. Yang, Gary M. Kramer, Cristóbal Escobar, Susana Bessa•Senses of Cinema•Apr 10, 2001