We don’t really see as many serial killer movies coming out of Hollywood as we used to. Back in the 1990s they were a dime a dozen, headlined by Jonathan Demme’s The Silence of the Lambs (1991) and David Fincher’s Seven (1995) but including the likes of Copycat (1995), American Psycho (2000), Natural Born Killers (1994), Kalifornia (1993), and many others.
Kimi is ultimately a very basic thriller built on threads from far better ones ( Blow Out , The Conversation , The Net , 1995; Copycat , 1995; Intruders , 2015) but it’s a blue-haired Kravitz that keeps viewers fixated.
Offering no originality (unlike 1995's "Copycat"), no realism (unlike 1990's "Henry: Portrait of a Serial Killer"), no intelligence (unlike 1991's "The Silence of the Lambs"), no surprises (unlike "Se7en"), and not one character we get to know well enough to care about (unlike all of the above), the film is a lifeless product that is tiresomely directed by Noyce (who helmed such strong films as 1992's "Patriot Games" and 1994's "Clear and Present Danger").