With good video-game adaptations hard to find, it may be that Wright has given us the best video-game inspired film yet, taking many of the conventions of games such as Street Fighter and Tekken and creating a visually exciting and instantly recognisable world for his audience.
Not many films could reference Bollywood, Shakespeare, an NBC sitcom, “Street Fighter” and the filmography of John Hughes without collapsing in a messy heap.
Based on the graphic novels of Bryan Lee O'Malley, "Scott Pilgrim" is a cinematic mashup of the first order, managing to combine (and spoof) elements of modern teen romantic comedies, superhero flicks and arcade games of the "Street Fighter" era.
But when the fighting starts—and there’s a lot of it—1990s-style video games take over; the movie becomes a sort of mash-up homage to Super Mario Bros., Doom, Street Fighter, etc. Through it all, there’s a tension between Scott Pilgrim’s adopted too-cool-for-school attitude and its mosh-pit desperation to be the Hot New Youth Thing that’s actually pretty endearing.
It is a bold, brilliant spectacle, an offbeat romance patterned after a Street Fighter -style video game.
He imagines Scott as a Street Fighter Lancelot out to win the heart of his Guinevere, Ramona (Mary Elizabeth Winstead), a mercurial punkette whose moods are as changeable as her hair color.