From there Mr. Miller went on to create an eclectic batch of films like The Witches of Eastwick, Lorenzo’s Oil, Babe, and its wildly creative sequel.
Miller has become a giant of big-audience moviemaking, with credits like the freakishly beautiful and original Babe: Pig in the City (98, after producing Babe ), the infectious tap-dancing penguin cartoon Happy Feet (06) , the rigorously veracious medical drama Lorenzo's Oil (92), and a virtuoso remake of “Nightmare at 20,000 Feet” in The Twilight Zone—The Movie (83).
Cinematographer John Seale, who previously worked with Miller on his affecting family drama Lorenzo’s Oil (1992) and essentially came out of retirement to lens Fury Road, makes the film look as though it were etched out of rust.
The man made Max Max, The Road Warrior, Lorenzo’s Oil, and especially Babe: Pig in the City, which is like Charlotte’s Web retold by Dickens.
And Miller went on to direct a varied assortment of flicks including "The Witches of Eastwick," "Lorenzo's Oil," "Babe: Pig in the City" and the two recent "Happy Feet" movies.
Now Miller—who went on to produce, write and/or direct other acclaimed films, including Dead Calm , Lorenzo’s Oil , Happy Feet and Babe —has returned to where he started, and this explosively revved-up reboot, epic in every sense of the word, may become the crowning achievement of his already impressive career.