The first thing to be said about "A Few Good Men" is that it resembles perhaps too closely "The Caine Mutiny."
Essentially it is "The Caine Mutiny" in dry dock with Jack Nicholson and Tom Cruise going macho a macho.
Centered, like "The Caine Mutiny" before it, around a trial inside a military courtroom, "A Few Good Men" (citywide) would like you to think it's about such weighty topics as the misuse of power and a young man's struggle to find himself, but no one will be coming out of theaters whistling those tunes.
Though still clearly a play-turned-film, "A Few Good Men" has been cautiously and effectively "opened up" by Reiner and cinematographer Robert Richardson (Oliver Stone's regular cameraman), whose virtuosity is most evident within the confines of the courtroom, where delicate camera moves and impeccable editing turn this into a tinderbox trial favorably comparable to "The Caine Mutiny."
If you've seen "Breaker Morant" and "The Caine Mutiny," you can guess what happens next.
A Few Good Men is a military courtroom drama in the tradition of The Caine Mutiny, but screenwriter Aaron Sorkin and director Rob Reiner try to prove their liberal credentials by beefing up the role of the woman in the original Sorkin play until she's a feminist firebrand.