Phil and Kate select the winsome young Camilla as a live-in nanny for their newborn child, but the seemingly lovely Camilla is not what she appears to be...
The Boy Next Door is behind the times, a relic of an era where the runaway, zeitgeist-capturing success of Fatal Attraction created an entire subgenre of paranoid thrillers about how the greatest threat to a family’s survival was someone intimately close: a nanny (The Hand That Rocks The Cradle), a cop (Unlawful Entry), or, in the case of William Friedkin’s The Guardian, a sexy nanny who’s also a vengeful wood nymph.
While the poster for The Witch may conjure up memories of William Friedkin’s The Guardian , this owes nothing to that film’s hokey horrors.Eggers has cited Kubrick’s The Shining as influential, alongside Benjamin Christensen’s silent classic Häxan: Witchcraft Through the Ages and Ingmar Bergman’s Cries and Whispers .
Mark Kermode, www.theguardian.com•The Guardian•Mar 13, 2016
Then he hit a slump in the 1980s and 1990s with a string of duds — Jade, The Hunted, Rules of Engagement and most infamously The Guardian, the one about the tree that ate babies (no, seriously).