The premise recalls the late-’80s deep-sea creature features Leviathan and DeepStar Six , but the comparison is unfair; Underwater is both more consistent and more atmospheric than either of those movies, making the most of Bojan Bazelli’s grungy, gothic lighting and the dingy walls and flickering screens of Naaman Marshall’s industrial production design.
Think Leviathan (1989), DeepStar Six (1989), The Abyss (1989), and probably some films that didn’t come out in 1989 too.
However, back in 1989, there was a boom of such deep sea terror, as films like Leviathan and DeepStar Six aimed to capitalise on the upcoming release of James Cameron’s The Abyss and in turn they became known from this point on as aquatic horrors.
1989 saw the release of THE ABYSS, DEEPSTAR SIX, and LEVIATHAN—with THE RIFT (aka ENDLESS DESCENT) coming out in 1990—and all featured an isolated crew in the unforgiving depths of the ocean encountering creatures and various personnel disasters.
There are a few breathtaking shots that not only justify Underwater ’s existence but also the idea of seeing it in a theater, because otherwise there’s not much separating it from straight-to-Netflix dreck like The Cloverfield Paradox , or the cycle of Alien- but-underwater movies that proliferated at the end of the 1980s ( DeepStar Six and Leviathan , both of which are more fun than you remember).