It’s evident that director Gerard Johnstone was heavily influenced by James Cameron’s “The Terminator” and Tom Holland’s “Child’s Play” as he borrows elements from both movies and utilizes them to good effect.
“M3GAN” (pronounced “megan”) can now join the 1988 “Child’s Play” movie (which introduced the murderous Chucky toy doll) as one of the all-time most memorable “killer doll” movies, gaining legions of fans and inspiring countless horror costumes.
Directed and co-written by Mike Flanagan (“Oculus,” “Ouija: Origin of Evil”), along with his frequent collaborator Jeff Howard, “Gerald’s Game” is a study of repressed memories, childhood traumas, and just how far a person will go to survive.
Flanagan has made a habit of directing female protagonists in small spaces (Oculus and Hush both feature female protagonists confined to a single location, for example), and the parameters of Gerald’s Game allow him to do what he does best — explore his female characters while ratcheting up tension.
It’s hard to overlook some of the recurring themes in his work, beginning with 2011’s Absentia and all the way through the wildly imaginative Oculus, Hush (also on Netflix ) and Ouija: Origin of Evil.
Fortunately, director Mike Flanagan has had ample practice in the art of the mindf**k with Oculus , and he manages to turn the necessarily more literal film adaptation into a waking nightmare.