Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.
Movie buffs might assume this is an example of Michel showing his obsession with film, naming himself after the legendary cinematographer who later worked on the New Wave-inspired Easy Rider (1969), as well as Five Easy Pieces (1970), Paper Moon (1973), and Ghostbusters (1984).
It wasn’t just a film, but an event, and going to see it said something about you (The Graduate screenwriter Buck Henry described it as “the automatic handwriting of the counterculture”).
The charms of both "The Graduate" and "Easy Rider" touched a lot of people in the late sixties, two very different films with similar themes about the alienation of youth.