True, it's often mentioned in the same breath as "Stagecoach," "Red River," "High Noon," "Shane," "Unforgiven," and other well-known classics, but the fact that it is almost always mentioned at all is the point.
As late as 1959, Hawks responded to Wayne's increasingly harsh pale-rider persona--stemming largely from the director's own dark Red River (1948)--by casting him in Rio Bravo as a friend so loyal and lighthearted that he even kisses another old cowboy on the forehead.
True, ever since "The Covered Wagon" that superlative designation has been periodically applied to outstanding sagebrush sagas -- "Red River" and "Shane," for example; but even if memories of those mastodon milestones of the great open spaces have not been dimmed by time's passage, this superb action drama cannot escape winning a prominent niche in their exalted company.
It was also Montgomery Clift's first movie role, though the film he made afterwards, "The Searchers," premiered first because of the long production schedule of Red River.
John Wayne – genre star and a force in John Ford’s 1956 “adult” entry, The Searchers – centers Red River as Tom Dunston.