After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.
It has a modern outlook but provides a throwback, too, to the genre’s florid history – a flirtatious Claudette Colbert marinating in her milk bath in 1932’s The Sign of the Cross, or a pouting Peter Ustinov as Emperor Nero lounging about in silks and velvets in 1951’s Quo Vadis. This time, they’ve put sharks in the Colosseum.