Made in 1969, "The Honeymoon Killers" presaged elements of David Lynch's filmic approach, and clearly informed John McNaughton 's similarly-themed stomach-churner film " Henry: Portrait of a Serial Killer ."
Dark humor, along the lines of "The Honeymoon Killers," gives way to fractured set pieces that gesture toward the film’s gratuitous climax, one that’s destined to bestow upon it a cult status.
Ultimately, “Crimson Peak” turns into a gothic riff on “The Honeymoon Killers,” with Edith being seduced by the charming Sir Thomas Sharpe (Tom Hiddleston), who takes her under wing after she’s abruptly orphaned.
Scorsese's oblique comments in Mary Pat Kelly's Martin Scorsese: A Journey, meanwhile, suggest the film goes beyond preserving his youth in amber to allegorize his being replaced as the director of The Honeymoon Killers: "You put [things] off and you put [things] off until finally...they fire you or you walk off and it's a disaster."