Both the Waters brothers made a splash with their initial public offerings (Mark with the fantastic The House of Yes, Daniel with Heathers ), but while Daniel's portfolio is sprinkled with lead balloons like The Adventures of Ford Fairlane and the fitfully interesting Demolition Man, he did score with Batman Returns; Mark, alas, has a Freddie Prinze Jr./Monica Potter, a Jason Priestly/Mariel Hemingway, and a pair of Lohans in his deck, making The House of Yes an anomaly, it seems--as outcast from its comrades as Waters' imperfect characters are from his vision of a perversely stolid normality.