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Connections, in both directions

Digger poster

On Andersson, rather than any one film

Digger recalls Roy Andersson’s surreal, freeze-dried environments…
Tim Grierson, Senior US critic, Jeremy Kay, Elaine Guerini, Allan Hunter, Dave Calhoun, Robert Daniels • ScreenDaily • Sep 29, 2026
screendaily.com ↗
Visual references for the film run the gamut, ranging from Roy Andersson’s absurdist works and Yorgos Lanthimos’ Poor Things to compatriot Alfonso Cuarón’s Children of Men or even the video game Half-Life.
Marc van de Klashorst • ICS Film • Sep 29, 2026
icsfilm.org ↗
…as well as the bleached expressionism of Roy Andersson…
Matthew Seidel • Hyperreal Film Club • Oct 7, 2026
hyperrealfilm.club ↗
…think Roy Andersson meets Roland Emmerich…
The Ringer • Oct 5, 2026
theringer.com ↗
…the whole Roy Andersson on steroids aesthetic of a pallid movie…
David Ehrlich • IndieWire • Sep 29, 2026
indiewire.com ↗
It's exceptionally obvious they're referencing Swedish satire master Roy Andersson and the look & style of his films as part of telling this stage satire.
Alex Billington • FirstShowing • Oct 1, 2026
firstshowing.net ↗
Toni Erdmann poster
Ade delivers laughs in spades — there is something of the deadpan absurdity of A Swedish Love Story director Roy Andersson in her worldview — and creates a malleable tone that can take in a man dressed as a tree and always feel real.
Ian Freer • Empire • Jan 30, 2017
empireonline.com ↗
The Little Prince poster
The main story’s CG-animation aptly gives these humans in their roads-gridded, boxed-up-and-cubicled, super-structured, all-business world a dull, plastic look (it’s a cutting satire of modern-non-life, as if dryly merging Tati’s Play Time and Roy Andersson’s Songs From The Second Floor).
Vue Weekly
vueweekly.com ↗
Antichrist poster
• "You, the Living," by Roy Andersson, absurdist Swedish director of "Songs From the Second Floor," and "Mammoth," by Lukas Moodysson, with Gael Garcia Bernal and Michelle Williams, both Feb. 26-28…

That's all the connections!