Jesse Eisenberg
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That accolade has previously gone to movies like You Can Count on Me, The Station Agent, and A Real Pain, and Sorry, Baby fits right in with those comedy-dramas that take an empathetic approach to people struggling on screen.
I’m curious if it will follow a similar award path as other Sundance hits like A Real Pain, CODA, Minari, and so on that made it to the Oscars.
…so his construction has no integrity and his story and characters don’t come into shape, like in A Real Pain (2024) earlier this year…
…and an excellent double feature would pair it with “A Real Pain” (2024).
In some ways, it reminded me of Julianne Moore’s Oscar worthy scene in The Debut.