It does owe more to the 1929 short "Un Chien Andalou," in which a pig�s eyeball is sliced, than it does to There�s Something About Mary or the slew of raunchy comedies that have been released since (just think of recent ones: Say It Isn�t So , Tomcats , Joe Dirt, etc., etc., ad nauseam).
Tom Green's Freddy Got Fingered is the most startling debut since Luis Buñuel's Un chien andalou, with which it has a few things in common: both are constructed with a wilful disdain towards narrative; both are aimed at the outer limits of shocking imagery; both display an open hostility for the cultural status quo; and both joke on their audience's entrenched preconceptions of film form.