A wearisome, affected amalgamation of Monte Hellman’s prototypical road movie Two-Lane Blacktop and Todd Louiso’s insufferable mope-fest Love Liza , Gallo’s misfire is a work of staggering dullness that, from its somber opening scene in which Bud loses a motorcycle race, repeatedly foreshadows the futility of the main character’s odyssey toward his desperately desired goal.