If you’ve been a fan of Indonesian film since Gareth Huw Evans one-upped modern action cinema with 2011’s The Raid: Redemption and then again with 2014’s The Raid 2, or if you liked Indonesian film before it was cool thanks to either Merantau, Evans’ 2009 sophomore effort, or Macabre, Tjahjanto and Stamboel’s first feature collaboration, then you’re probably already jonesing for Headshot and the sweet release of brutally kinetic fight scenes where human beings sustain more injuries per second than anyone should be able to take before dropping dead.
The Raid is a high bar to set for action movies, but since it’s my only frame of reference for Indonesian action cinema, it is, for better or worse, the standard I set for similar movies.
I’m don’t want to compare Headshot to Gareth Evans’ intangible duology with Uwais, The Raid 1 and 2, but it’s unavoidable.
His debut film “Merantu” set the stage for his breakout role in “The Raid,” which he followed with “The Raid 2,” and a part in “Star Wars: The Force Awakens” which you probably blinked and missed.
This lethally brutal exercise in Indonesian martial-arts mayhem — featuring the charismatic Iko Uwais (“The Raid” franchise), a living, breathing action figure and Indonesia’s best-known martial-arts star — is definitely not for the squeamish nor anyone who has just eaten lunch.
But they venture into the silat action genre with this combustible collaboration with Iko Uwais, the iconic star of Gareth Evans's The Raid and its 2014 sequel.