Billy Ray
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Playing a burnout gravedigger, Peter Sarsgaard ( Shattered Glass , Boys Dont Cry ) proves once again that he may just be one of the most versatile and understated actors working today.
Mark would probably have been a nothing role without Sarsgaard (so good in Shattered Glass).
Certainly he seems that way to the admiring Mark (Peter Sarsgaard of “Shattered Glass”), a gravedigger whose propensities for pot, partying and low-level larceny slowly pull his reluctant pal into a variety of adventures.
At his mother's funeral, he meets old friend Mark (Peter Sarsgaard, "Shattered Glass") seated beside the earth mover that has dug the grave.
Braff has a nebbishy Everyman quality that suits the part of Large, while Sarsgaard (who turned heads as the conscientious editor in Shattered Glass) contributes an edge of brittle hostility to his character, enough so that at any given moment he seems equally capable of hugging or slugging Large.
And Sarsgaard -- who won the San Francisco Film Critics Circle award for Best Supporting Actor for Shattered Glass (2003) -- does one of his lovely slow reveals, in which he first appears to be a shallow, selfish twerp, but eventually uncovers a big heart and a clear personality.
There are the occasional outliers—Shattered Glass (the story of fabulist former-New Republic associate editor Stephen Glass, starring Hayden Christensen)—but beyond the depths of television and documentaries, like the fifth season of The Wire (where Tom McCarthy, the director of Spotlight, played the resident fabulist journalist), and Laura Poitras’ gripping documentary on Edward Snowden, Citizenfour , pop culture is invested in portraying ink-stained wretches as noble fighters for the truth.
Shattered Glass is still the best movie about journalists I’ve ever seen, but Spotlight is definitely the best movie about journalism.
En los últimos 15 años el cine y la televisión estadounidenses nos han dado un par de grandes retratos de periodistas fraudulentos: la magnífica Shattered Glass, de Billy Ray, y la quinta temporada de The Wire, cuya trama incluye a un reportero arribista, holgazán y mentiroso, interpretado por el propio McCarthy.
Neil Craig (Chris Cooper, "Breach") roughs him up and hauls he and Aidan in as well.
The script written by Billy Ray (Shattered Glass, The Hunger Games) makes for a tautly structured film with an introduction and three distinct acts.
It’s a squirm-inducing conundrum that writer Billy Ray (“Shattered Glass”), working from Phillips’ harrowing memoir, doesn’t always handle tactfully, and made worse by his choice to present the four not as men but as types.
Written by Billy Ray (whose credits include “Shattered Glass”), it opens with a postcard-perfect shot of a white Vermont house.
Working from a script by Billy Ray (“Breach,” “ Shattered Glass”) drawn from Phillips’ own memoir, Greengrass traces the captain’s ill-fated journey on and off the container ship Maersk Alabama, beginning with his April 2009 departure from the port of Oman and ending with his dramatic rescue off the Somali coast after four days in captivity.
Billy Ray adapted the screenplay from Phillips' book, and his skill with stories like these -- see Shattered Glass and Breach if you don't know what I'm talking about -- comes in handy.
But the underwritten script (by Shattered Glass ’s Billy Ray) sells him out pretty quickly and you turn to the invading horde for dramatic nourishment.
The screenplay, written by Collins, Ross and "Shattered Glass" director Billy Ray, is apparently quite faithful.
Director and cowriter Gary Ross (Pleasantville, Seabiscuit), along with screenwriter Billy Ray (Shattered Glass, State of Play), prove the perfect pair to shepherd her work to theaters.
As directed by Gary Ross (“Pleasantville”) and adapted by him, Collins, and Billy Ray (“Shattered Glass”), “The Hunger Games” is exciting and solid, as intently focused on its goals as its protagonist is on hers.