Mel Smith
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When she and Depp are together, the movie comes close to generating sparks — though their room-devastating tryst doesn't match Jeff Goldblum and Emma Thompson's furniture-breaking boff in 1989's The Tall Guy.
There's an energetic sex scene (accompanied by a Barry White song) that recalls a similarly destructive and acrobatic sequence from The Tall Guy, although Dark Shadows' PG-13 rating demands that it be toned down.
On the island, they meet Emil Mondavarious ( Bean 's Rowan Atkinson), the park's owner, who informs them that something strange is going on at his establishment.
Two years later, a summons from Spooky Island theme park owner Mondavarious (Rowan Atkinson, "Bean") will reunite the trio along with the never split team of Shaggy (Matthew Lillard, "Summer Catch") and "Scooby-Doo."
The Day After Tomorrow (2004)
Directed by Roland Emmerich
influenced by The Tall Guy (1989)
Dialogue
Elsewhere, the movie's respect for the written word -- and for credible science (yes, we're ruining the planet, but an overkill movie like this doesn't help the credibility of actual environmentalists one whit) -- is typified by dialogue like "Unpack the snowshoes -- we're walking from here" or the film's final line, the most unintentionally funny punchline since "Somewhere in heaven there's an angel with big ears" in "The Tall Guy."
Love Actually, Four Weddings and a Funeral, Notting Hill, About Time , all the Bridget Jones movies, every one of these rom-coms follows pretty much the same structure and character types Curtis first utilized in 1989 with The Tall Guy .
Curtis has proved he can create spiky roles for women (Emma Thompson in The Tall Guy , Julia Roberts in Notting Hill ), so the lack of a single witty or interesting line for James to deliver must be a choice rather than an accident.
That beget The Tall Guy and Four Weddings and a Funeral, which were better still.
For me, resistance is futile when it comes to his scripts for " The Tall Guy ," "Four Weddings and a Funeral," " Notting Hill " and "Bridget Jones' Diary" (which he co-wrote along with the unfortunate sequel that shall not be named).
Curtis is exceptional at bringing wit and humor into his films such as Two Weddings and a Funeral, Bridget Jones, Bean and many more.
He was nominated for an Academy Award, among other plaudits, and went on to pen the scripts for Bean, Notting Hill and Bridget Jones’s Diary.
Yes, this new Julia Roberts-Hugh Grant collaboration is a few notches below Marc Norman and Tom Stoppards brilliant, Oscar-winning screenplay, but Richard Curtis breezy script echoes the eccentric camaraderie of his Academy Award-nominated Four Weddings and a Funeral five years ago, while adding some bumble-headed situations that reflect on the Bean character that Curtis created with Rowan Atkinson.
Written by Richard Curtis, who penned Bean and the aforementioned Four Weddings, this story is cute but a little light on meaning, like those two.
As with its predecessor, the key to this film's considerable charm is the script by Richard Curtis, his first solo credit (he collaborated on "Bean") since "Four Weddings."
Of course, that's to be expected, but some of the reasons/rationale for their reuniting occasionally feels a bit awkward or forced, with too much of screenwriter Richard Curtis' ("Four Weddings and A Funeral," "The Tall Guy") fingerprints on them.
Screenwriter Richard Curtis (who also penned The Tall Guy) is quick to let the humor start flowing, and once it starts, it never stops (although it slows during the more somber segments of the film's second half).
Fortunately, Curtis, who wrote "The Tall Guy," is up to snuff.