Ben Hania stages the film like a claustrophobic thriller, similar in tone and scope to another great recent movie, director Tim Fehlbaum’s “September 5.” This movie, like that one, consolidates all the action in one office, reliant on technology but also paralyzed by it, too far away to be anything other than a reassuring voice on the other end of the phone.
Tim Fehlbaum’s portrayal of the ABC newsroom as it dealt with the hostage crisis at the 1972 Munich Olympics in “September 5,” for example.