The books have a devoted following, and although they’re often compared to Stephenie Meyer’s Twilight (for no other reason than they’re bestsellers written for teens), there’s the possibility that done right, the films could have huge crossover appeal for people who have enjoyed everything from Japanese author Koushun Takami’s cult novel and resulting movie Battle Royale to William Golding’s The Lord of the Flies to Stephen King’s The Running Man .
Adults will be familiar with the skeleton of the storyline, which echoes not only Shirley Jackson's short story "The Lottery" but also the much-maligned but creepily prescient Stephen King story/Arnold Schwarzenegger movie, The Running Man.
The Running Man (Paul Michael Glaser, 1987), Battle Royale (Koushun Takami, 2000) and Series 7: The Contenders (Daniel Minahan, 2001) were all set in either the future or an alternate reality where disenfranchised people are forced to take part in a violent competition where they must fight for their survival.
Ironically, the kill-to-win ethos that dominates movies from 1987's prophetic The Running Man to the undiluted brutality of Japan's Battle Royale in 2000, may find its largest viewership in The Hunger Games.
The gimmick of widespread murder as televised entertainment proscribed by the government to sate and distract the increasingly jaded masses would later turn up in films such as the classic 1975 Roger Corman production "Death Race 2000" and the 1987 Stephen King adaptation "The Running Man" (which, in a brilliant stroke of casting, deployed none other than game show staple Richard Dawson, in the role of his career, as the malevolent emcee).
We balked at the sort of show depicted in Stephen King’s The Running Man , but whereas death as entertainment is still an exaggeration, it’s no longer the leap it was once was; not at a time when almost any indignity is transmitted, while the stuff that can’t be for legal reasons is freely available, unedited on the internet.