Providing echoes of Douglas Sirk melodramas and Hitchcockian thrillers, the film ultimately feels like a subtle addition to those hot button Michael Douglas morality tales that proved such commercial juggernauts in the late 1980s and early 1990sl Fatal Attraction , Disclosure etc.The box-office response to Queen of Hearts might not be in the same league as those, but it has a similar ability to make emotions churn and blood boil.
Given that her eventual actions call to mind those of Glenn Close’s ’round-the-bend vengefulness in Fatal Attraction, this may not go down well in some “woke” quarters at the moment, but there’s no denying the filmmaker’s narrative command and the ever-accruing force of her story.