Cam (2018)
Directed by Daniel Goldhaber
A young camgirl discovers that she’s inexplicably been replaced on her site with an exact replica of herself.
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What critics compared Cam to
(It's a little like Nastassja Kinski in Paris, Texas, except untouchable behind a computer screen rather than behind glass.)
Mientras Cam (2018) resultó una maravillosa e inquietante crítica a la prostitución en línea, Unfriended (2014) es todo lo que esperas de una película palomera que no innova absolutamente nada y que se cuelga, únicamente, de la pretendida novedad del formato.
This is especially glaring in light of the fact that it’s been less than two years since the release of Daniel Goldhaber’s Cam , a much more harrowing, nuanced and daring indictment of internet fame.
It’s this year’s Unfriended: Dark Web by way of Lost Highway (1997) and Enemy (2013), with a hefty dose of gig economy anxiety.