Suburban soccer moms find themselves constantly competing against each other in their personal lives as their kids settle their differences on the field.
The time frame is not meant to be the actual 1950s or early '60s (the period in which DeBoer and Luebbe’s short The Arrival is set), though the retro vibe is reinforced mightily by Leigh Poindexter’s similarly unsettling yet fabulous production design.
Leslie Felperin•The Hollywood Reporter•Feb 12, 2019