If you’re looking for a connection to the original Mandy Moore-starring film, there isn’t one aside from how Johannes again tries – and fails – to match the intense below-the-surface claustrophobic atmosphere of The Descent, another obvious inspiration.
It also doubles down overt references to Neil Marshall’s low-key 2005 classic The Descent .
(You can use air pockets on the ceilings as a secondary supply of air!) You’ll also likely read a lot of reviews referring to the film as The Descent with sharks, and while that description is not at all inaccurate, Uncaged lacks the sophistication and nuanced character development that made that Neil Marshall masterpiece so special.
Even without the threat of real sharks, these moments that featured those dark and cramped passageways were enough to make me feel on edge, reminding me of the same way I felt the first time I watched The Descent .
With Uncaged , Roberts smartly goes in a much different direction, utilizing the sequel’s very specific locale (submerged Mayan ruins) as a means to incite feelings of claustrophobia and disorientation, resulting in an experience that’s akin to if The Descent took place underwater.
At times, this tale of four young women trying to rescue each other in an underwater maze — as opposed to the two caged vacation divers of “47 Meters Down” — suggests a variation on “The Descent,” the 2005 spelunking thriller.