From the looks of it, director Jacob Estes is deploying inspiration from Gregory Hoblit’s Frequency , a movie that uses the conception of time travel to layout an unforeseen situation where a man in 1999 is able to communicate to his father in 1969, even though his father died when the man was only 6-years-old.
Jacob Aaron Estes’ new movie Relive feels like that show mixed with Frequency, the Dennis Quaid/Jim Caviezel movie in which father and son communicate across time.
You’re probably going to read other reviews that make comparisons of Don’t Let Go with Frequency (2000) and See You Yesterday (2019, currently streaming on Netflix) which I won’t make because I never saw either one of them.
Think the Dennis Quaid-starring Frequency meets Christopher Nolan’s Memento .
As thus with shades of the Dennis Quaid and Jim Caviezel talk across time flick "Frequency," the filmmaker opts for the confluence of intersecting timelines.
This is remarkably similar to the plot of Gregory Hoblit’s 2000 supernatural thriller Frequency , although that movie was rated a family friendly PG-13 and this one is a clear R both for its bloodiness (including way too many shots of dead dogs) and for its language (if you want to see the girl from A Wrinkle in Time call someone a “stupid motherfucker,” here’s your chance).