Deadpool 2 (2018)
Directed by David Leitch
Wisecracking mercenary Deadpool battles the evil and powerful Cable and other bad guys to save a boy's life.
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10 films that influenced Deadpool 2
What critics say influenced Deadpool 2
A staggering number of films — everything from Basic Instinct to The Human Centipede — are referenced so often that Deadpool 2 sometimes feels like a dirtier version of Ready Player One.
Siendo esta vez el director David Leitch, uno de los dos cineastas que se encargaron de dirigir la primera entrega de “John Wick”, “Deadpool 2” no carece de acción.
And now, finally, Deadpool 2 has emerged, and though with a different director behind the scene (Tim Miller was replaced by David Leitch of John Wick), it is still mostly faithful to the spirit of the original.
Directed by David (Atomic Blonde) Leitch (“One of the guys who shot the dog in John Wick,” announces the titles) and written by Reynolds, Paul Wernick and Rhett Reese (the latter two of Zombieland), the sequel kicks off by taking well-aimed comic shots at other Marvel and DC superhero flicks, followed by a dead-on Maurice Binder-style James Bond title sequence, complete with a broody, nonsensical theme song warbled by Celine Dion.
With Deadpool’s director, Tim Miller, departing due to “creative differences,” former stuntman David Leitch, whose previous credits include John Wick and Atomic Blonde , stepped in.
The most significant change to the creative team is that Tim Miller (who had never directed a film prior to Deadpool and still hasn't made a second) has been replaced by David Leitch, co-director of the 2014 John Wick , who made his solo debut with 2017's outstanding Atomic Blonde .
Filling in for departing director Tim Miller is David Leitch, fresh from the John Wick films and last year’s Atomic Blonde.
Supernaturally lucky, her powers result in some of the film’s most inventive beats, like a series of inverted Final Destination-style death scenes.
There’s more comically exaggerated gore, to the point that one scene plays out like Final Destination.
Deadpool 2 just sprays itself all over the place, from the moment Wade Wilson appears on screen to burst his body into a flaming pile of appendages all the way to the end-credits sequence when Deadpool assassinates every last vestige of his previous life, from the bungled version of the character in X-Men Origins: Wolverine to the actor Ryan Reynolds, who so perfectly imbues Deadpool with the getta-loada-me smarm offensive that made Deadpool such a vivid, representative, and useful figure in the ’90s Marvel canon.
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The R-rated sequel “Deadpool 2,” the 11th film in Marvel’s X-Men series, directly follows “Logan,” one of 2017’s best films.
Since then, Deadpool’s brand of humor isn’t unique, a fact he opens the film with, making one of several pointed critiques about Hugh Jackman’s Oscar-nominated Logan.
Which makes Deadpool 2 basically a remake of Looper, with more jokes and less Joseph Gordon-Levitt wearing fake noses.
Directed by David (Atomic Blonde) Leitch (“One of the guys who shot the dog in John Wick,” announces the titles) and written by Reynolds, Paul Wernick and Rhett Reese (the latter two of Zombieland), the sequel kicks off by taking well-aimed comic shots at other Marvel and DC superhero flicks, followed by a dead-on Maurice Binder-style James Bond title sequence, complete with a broody, nonsensical theme song warbled by Celine Dion.
Fox’s “Deadpool 2,” scripted by the writing team of Rhett Reese and Paul Wernick (“Deadpool,” “Zombieland”) and also star and producer Ryan Reynolds and directed by stuntman-turned-director David Leitch (“Atomic Blonde”), is a shoot-chase-blow-up-crash-rinse-repeat rerun of “Deadpool.”
It's just that way back in 2016, under the crushing weight of all those endless, self-serious superhero movies, the snarky, silly sendup of "Deadpool" was a refreshing tonic — essentially the "Scary Movie" of superhero movies.
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David Leitch, known as one of the co-directors of the first John Wick and also as the director of last year’s spy thriller Atomic Blonde, here manages to bring his trademark action flourishes to the screen.
Beetz’ comic timing is impeccable, and director David Leitch (Atomic Blonde) found an ingenious way to visually establish luck as a superpower.
Directed by David Leitch, who helmed "Atomic Blonde" last year, it's a shame that the action and stunts are messy and maintain little sense of space or geography.
With Deadpool’s director, Tim Miller, departing due to “creative differences,” former stuntman David Leitch, whose previous credits include John Wick and Atomic Blonde , stepped in.
The most significant change to the creative team is that Tim Miller (who had never directed a film prior to Deadpool and still hasn't made a second) has been replaced by David Leitch, co-director of the 2014 John Wick , who made his solo debut with 2017's outstanding Atomic Blonde .
In taking the reins from Tim Miller, director David Leitch (“Atomic Blonde”) -- working from a script by Rhett Reese, Paul Wernick and Reynolds -- doesn’t let the tsunami of one-liners get in the way of the plot.
Although this is primarily a comedy (with gore), Leitch doesn’t hang back and let the actors develop a rhythm, the way Taika Waititi did in the Hope-and-Crosby-like Thor: Ragnarok.