This Sundance premiere will inspire comparisons to Spotlight and The Post — not to mention The Report , which also debuted in Park City.
It shares a lot of DNA with recent awards season darlings like Spotlight and The Post but, just like those films, this is a movie that couldn’t be more timely in communicating the power and importance of legitimate, investigative journalism.
Official Secrets is akin to other stellar films of this same genre like Spotlight and All the President’s Men.
Unfortunately, while Gun’s story is certainly worth telling and this is a well-intentioned, solid film with fine work from Knightley, “Official Secrets” is too heavy-handed and drab, and falls far short of procedural thrillers such as “All the President’s Men” and “Spotlight” and “The Post” or broadly entertaining whistleblower stories such as “Erin Brockovich.”
Coming off of the pulse-pounding military suspenser Eye in the Sky, and understandably feeling the need to distinguish his film from a stolid BBC teledrama, Hood works to thicken the intrigue of his whistleblower story with swaths of a wonky journalistic tale (think Spotlight) and a legal crusade (think On the Basis of Sex).
This is no Spotlight (2015) or The Post (2017).