Bong’s humorously cynical approach to all sides of this struggle likens Okja to Stephen Chow’s environmentalist action comedy The Mermaid , as does its descent into some unsparing brutality toward the hunted super pigs, but he eventually abandons the broadness of his satire and settles more on a good-guy-vigilante-versus-evil-corporation narrative, back-peddling on more interesting thematic ambitions.
Last year, Stephen Chow’s wondrous The Mermaid became the most financially successful film in China’s history but barely caused a ripple in the U.S. Chow took the alien thesis of his 2008 CJ7 (which was an expansion on E.T. the Extra-Terrestrial) and made a human-based, adult comic fantasy about threats to cultural heritage within modern China’s class-divided society.